Wednesday, 7 December 2011

Say Something Political - Self Evaluation

The main ideas and intentions that I was trying to express in the project were: 

I was trying to show empty spaces in a house to represent someone who is missing. I wanted the audience to look at the empty bed, clothes hangers, sofa, dinner table and chairs and feel a sense of loneliness. These are the places the missing person should be. I wanted to show the massive emptiness that is left when someone goes missing, how they are always thought about when the family is eating dinner or watching TV and that they are missing that important time with that person. I was inspired by Rachel Whiteread who focuses on the negative spaces of objects and creates sculptures from them, such as inside of cupboards and houses. I found this idea really interesting and thought about how a family or loved one would look around parts of the house thinking about how that missing person should be there. The idea behind my project was to have no actors, I wanted the audience to watch the advert and almost miss a character in each shot to really get a feeling for the issue. I have directed the advert towards the people who are missing with the tagline “please come home” at the end as hopefully they can see this and be reminded that they are wanted home. I want to direct this towards my missing uncle too so if he ever tries to look me up and finds me on YouTube, he will know we all miss him and want him home.

The methods I use to develop my ideas were: (brainstorming, creating a concept map, visual research, storyboards, try different techniques etc)

I created a mind map, did some rough sketches and then looked at lots of missing people videos on YouTube. I then started to build my storyboards around that, trying to incorporate real footage into it, but I realised it would make it too long. I then started to research more videos such as a time lapse to think about different artistic shots I could use to represent the issue. I did many storyboards and from my third storyboard showing shots of someone touching empty spaces such as chairs and a bed I realised I could create a whole advert from this idea. I researched into Rachel Whiteread and kept making storyboards until I realised the importance of having no actors and the idea was right.




I took a risk by trying something new. (Explain)

I had to organise everything myself, finding the locations, designing, filming, setting up the lighting and doing the editing. It was quite a challenge getting this sorted out, especially getting the equipment to the locations as it was really heavy. I think the main thing I took a risk with in terms of the filming was the falling posters, I had it clear in my mind how I wanted it to look but I was unsure if I would work. I had to do a lot of takes dropping the posters standing on a chair and when I had finished I still didn’t know if they were good enough until I started editing. I wanted to capture each poster falling in slow motion in perfect focus but as I slowed them down the camera couldn’t do this but it still looks alright. One of the falling posters works perfectly where you can see the poster so clearly. I took this risk but it was a risk worth taking as it’s my favourite part of the advert.

Some of the unexpected problems I had to solve while working were:

My major problems were in pre-production trying to refine and get the idea right to film. This took me a while and I created a lot of storyboards. While working on the film I had a few problems. I found transporting the equipment to the locations was hard as it was really heavy, especially the lighting kit. Trying to remove the shadow from the TV in the living room with the lighting was hard to get right and keeping the camera steady when filming handheld.

The decisions and choices I made to help solve these problems were:

In the end I found most of what I filmed handheld of the bed and chair wasn’t good enough to use, so in the editing process I had to cut a small part of it and slow it down so they look like static shots. This worked really well and saved me from having to film it all over again. With transporting equipment I ended up using only one light as I couldn’t carry them all, but in the end one light with a diffuser worked really well in producing a soft look that wasn’t too bright. It looked like more of a natural light.

The most interesting or challenging thing that  I achieved was:

The end part with the falling posters is definitely the most interesting and most challenging thing I achieved. In the editing process I had to cut and combine different shots to get the each poster to fall right so the face is seen. I had to adjust the levels so the black curtains in the background became completely black which I love as it makes the posters really stand out. I also had to move the frame of each shot so they all fall the same direction and keep to the left, I added some fades each time a poster gets close to the bottom of the frame which is when the next one starts falling. This is to get a good flow to it, like they are falling together as I had to do it separately. This idea came out of nowhere really am I really happy with how it turned out, I think it’s really effective.

The things I have learnt from this particular project were: (Specific examples should be cited.)

I have learnt a lot about the organisation and planning for the production of a film. There is a lot of paperwork needed to be done such as risk assessments, recce sheets etc. and that everything needs to be planned out. I have learnt a lot about the Panasonic 151 camera as this is the first time I have used this camera and I really like using it.

If I were to do this project again I would change or do differently:

I would perhaps re-shoot some of the shots such as the bed and chair using tracks to get a smooth movement. I could also widen my focus so instead of it being shots of inside a house relating to one person I could film lots of different places representing a variety of ages. I could film something like an empty swing in a playground gently swinging back and forth to represent a missing child.

A new project that might grow out of my experience maybe:

As my uncle went missing I could make something more personal such as filming the things he used and spaces he would have been in. I think this would be too much but maybe if I filmed my Nan talking about him would be really powerful. This would also mean if he came across it he would realise how badly my Nan misses him and needs him home, but this would be rather hard for her. Perhaps have a photo of my uncle at the end of the advert.

I have achieved the following learning outcomes for this module and my evidence is:

LO1. Produce well-structured and relevant work supported by visual, textual or other evidence as appropriate.

I have created a lot of storyboards to refine my idea and work out the structure to my advert. I have researched through looking at videos by the ‘Missing People’ charity, techniques I could use such as a time-lapse and an artist; Rachel Whiteread. The subject for my advert is quite personal to me and my family so I have focused on what is important to them, which is sending out a message to my missing uncle.


LO2. Appreciate the issues which arise from your relationship with audiences, clients, markets, users, consumers, and/or participants.

I took a lot of the feedback I got from tutors and students and worked on my own idea. I realised when I targeted my advert towards everybody to help find the missing people it wasn’t motivating enough so I changed it so it’s directed towards the missing people so they can get in touch with their family. I found this was more important, especially how it will be online so there is a chance they could see it.


LO3. Generate innovative and novel ideas through the exploration of knowledge and enquiry

I created many storyboards before coming up with my final idea, I had drawn different artist shots and ways of representing missing people. I wanted to create something that is more artistic than factual, which is where I came up with the idea of filming empty spaces. As far as I know there isn’t an advert about missing people like this, they are mostly showing the work the charities do with interviews with families who have someone missing.

LO4. Apply knowledge of design, management and publishing work through the use of appropriate systems and formats.

I like to draw down the ideas that come to me, which is what I did. I created storyboards, rough sketches, a mind map and took photographs of the locations I wanted to film. I was organised in the filming process with a production schedule, recce sheets and risk assessments. I have published my work on YouTube which is a very commonly used website and appropriate for my advert. It’s also under my YouTube name of CThorby so if my uncle ever sees it he will know it’s about him and could get in contact with me.

Monday, 21 November 2011

Missing People Ad - Production

Production Photographs





I ended up only using one light with a defuser when I was filming as it created a soft look and wasn't too bright. It looked like a natural light which I really liked.

1ST EDIT



This is my first edit, I have cut out some of the scenes I have filmed such as the shower and cutlery as they wasn't as powerful as the other shots and I found the less I did the more effective it was, so using a few shots of empty chairs and a bed was enough. I have used a blur and a fade to black to each shot and added some small pieces of text to clearly show the audience a person missing. I thought the text "empty bed", "missing clothes" and "missed meals" shows how the small things really matter and have a big effect on the family. The last shot of the chair was hard to get right as I did this handheld and it was really shaky. I tried to achieve turning around the chair but I found it really difficult to make this look smooth so I just cut a small section of it showing the chair and laptop. I slowed this down so it looks still. I am most pleased with the falling posters at the end; I used a few different shots and cut them together, added fades, slowed them down, adjusted the levels so the background was completely black and moved each shot a little to the left so they all fall together. I think it works really well with the music and looks really effective, especially how the people on the posters are actually missing. I am happy with the music track, which is Aphex Twin – ‘Avril 14th’. I think I need to work on a good tag-line for the end and perhaps a stronger font.

2ND EDIT



In my 2nd edit I have completely changed the target audience so the advert is directed to the missing people to remind them they are missed and wanted home. I have used a simple tagline at the end "please come home" which I think is strong with the shot of the falling posters as those people are currently missing. If they come across my video they be reminded that they are missed terribly. I much prefer changing the target audience to those who are missing instead of using a tag-line of "please help find the missing people" as it wasn't strong or motivating enough for the audience. I have cut some of the last shot of the chair, slowed it down so its completely still and changed the font so its clear and bold. This makes my advert is more personal to me now as I'm directing towards my uncle if he ever comes across it and will see my YouTube name.

3RD EDIT



I tried adding more text such as "missed television programmes" on the shot of the sofa and television but I found it looked too much and I don't think the fact the missing person is missing TV is as important as something like "missed meals" with the family. I have changed the shot at the beginning of the empty bed to a wider shot so it shows someone missing more clearly. I think this shot looks more powerful and effective. With this I did it hand-held moving the camera higher and towards the bed but I found it too shaky so I cut the shot so its still and slowed it down. I think the fact the bed is so neatly made with a cover over the top works really well in showing someone who hasn’t been in it for a while. I am really pleased with this edit, I think even though my advert is quite simple its quite powerful because of the sad music.

Wednesday, 16 November 2011

Missing People Ad - Pre-production


I have changed my storyboard again so that there is no actors. I think the fact there will be no people in the advert will make the audience feel as if they are missing a character which really works for my missing people advert. I want the audience to look at the spaces such as the bed, shower and sofa and think about how someone should be there but isnt and feel a sense of loneliness.
I realised as well it would be more effective filming clothes hangers as if the person was missing they wouldn't leave their clothes behind. It also shows an emptyness, clothes show an identity and this is whats missing. In my other storyboards I was going to film a rectangle dinner table with a chair but instead I will be using a circle one which will work just as well. The table draws your focus to the empty chair and the fact a table is something that a group of people would sit round and socialise has no-one there makes this a powerful shot.

PRODUCTION SCHEDULE

Monday: Create posters on Photoshop from the adverts of missing people on the charity website and collect equipment.

Tuesday: Shoot in 19 Arthur Street after 2pm.
Shot 1: In bedroom close up of pillow.
Shot 4: In bedroom, close up of clothes hangers in wardrobe.
Shot 10: In bedroom, high angle of chair and computer, camera circles chair anticlockwise.
Shot 2: In bathroom, close up of shower head.
Shot 3: In bathroom, close up of toothbrush.
Shot 11: In bedroom, medium shot of bed.

Shoot in studio
Shot 12: Shot of falling posters.

Wednesday: Shoot in 162B Mansfield Road from 12pm.
Shot 7: In living room/dining area, high angle long shot of chair and table.
Shot 5: In living room, long shot of sofa and TV
Shot 6: In living room, close up of sofa
Shot 8: In kitchen, extreme close up of plates
Shot 9: In kitchen, close up of knifes and forks.

Thursday: Check footage in case there is a need to re shoot. Return equipment.

Friday: Import footage onto computer and begin editing.

CAST AND CREW
Chris Thorby – In charge of all roles of production.
Dan Bissill – Assistant with lighting

EQUIPMENT LIST
Panasonic 151 Camera
Tripod
ARRI Light Kit (3 Lights and Gels)
Memory Card

I will be filming without sound so I do not need a microphone, instead I am adding a music track afterwards when I'm editing.





RECCE SHEET 1

PRODUCTION TITLE: Say Something Political - Missing People Advert

PRODUCER: Chris Thorby

DATE OF RECCE: 7/11/11 and 8/11/11

TIME OF RECCE: From 10.00AM

LOCATION: 19 Arthur Street

HOW TO GET THERE: Walking distance. 5 minutes from the Waverley building

PERSON IN CHARGE OF LOCATION
CONTACT NAME: Chris Thorby

POSITION: Owner of house

ACCESS & PARKING/HOURS AVAILABLE: Parking is available at all times when requested

POWER AVAILABLE: Power sockets in bedroom

SOUND/AMBIENT NOISE/PROBLEMS: Sound is not a problem because I am using a music track throughout the whole advert. Only problem I really have is people needing the bathroom as I will need to film in there but I will have to work around that.

PLAN OF THE LOCATION:





 

Bedroom 
Bathroom

OTHER INFORMATION(TOILETS, CATERING ETC): Toilets and kitchen are available

GENERAL DESCRIPTION OF LOCATION: Large bedroom right from front door with a double bed, drum kit, desk, speakers, wardrobe of clothes, bookshelf and TV with stand.
Bathroom is small with a potentially slipplery plastic tiling floor, ceramic tiles around the walls, shower/bath with curtain, basin, toilet and cupboard.

DESCRIPTION OF ACTION: Close up of pillows on bed, close up of hangers in wardrobe and high angle of chair next to desk with a laptop with the camera turning anticlockwise around it.
Close up of the shower head and toothbrush in bathroom.

HEALTH AND SAFETY NOTES: Potentially tripping over from power leads, electrical hazard from power sockets and water in bathroom which could damage equipment and be slippery.

RECCE SHEET 2

PRODUCTION TITLE: Say Something Political - Missing People Advert

PRODUCER: Chris Thorby

DATE OF RECCE: 9/11/11 and 10/11/11

TIME OF RECCE: From 10.00AM

LOCATION: 162B Mansfield Road

HOW TO GET THERE: Walking distance. 15 minutes from the Waverley building

PERSON IN CHARGE OF LOCATION
CONTACT NAME: Daniel Bissill

POSITION: Owner of house

ACCESS & PARKING/HOURS AVAILABLE: No parking

POWER AVAILABLE: Power sockets in living room

SOUND/AMBIENT NOISE/PROBLEMS: Sound is not a problem because I am using a music track throughout the whole advert. Only problem I have is people walking in front of the camera to get to kitchen but they will be told when I am filming.

PLAN OF THE LOCATION:





Living Room

 Dining area

OTHER INFORMATION(TOILETS, CATERING ETC): Toilets and kitchen are available

GENERAL DESCRIPTION OF LOCATION: 3 sofas in living room, TV and stand, long work surface for kitchen, small round table and chairs.

DESCRIPTION OF ACTION: Long shot of sofa and TV and close up of sofa. Extreme close up of plates, knifes and folks in kitchen area.

HEALTH AND SAFETY NOTES: Power sockets could be an electrical hazard, knifes in kitchen and fragile items such as plates.
Risk Assessment
For 19 Arthur Street, 162B Mansfield Road and Studio

I have created 6 Missing People posters on Photoshop using people who are currently missing advertised on the Missing People website. I have made them quite basic but bold with large text saying "MISSING" at the top in red. I think the fact they are advertised on the website in hope that people will spot these people I am doing a good thing in using these in my advert. I will drop these high up in the studio with a black backdrop so I can slow them down when editing. I want to capture the faces and the title "MISSING" on each poster as they fall slowly.

Thursday, 3 November 2011

Say Something Political - Production Planning

In this storyboard I have a character who fades at the start and fades whilst sitting on the sofa to clearly show that my advert is about missing people.
These 2 shots below is an alternative to the first 2 shots on the above storyboard. I think it would look really good to get a close up of the pillow, capturing the texture of the fabric.

In my final storyboard I have cut it to only show the person fade at the start as I think showing more empty spaces would make it more hard hitting and effective.



Interesting article about middle aged men going missing with some information on reasons they go missing. My uncle was an adult when he went missing so this is something I would like to focus more on with my advert.

Thursday, 27 October 2011

Say Something Political - Final Idea

I've decided to focus on empty spaces such as filming things we use in our everyday routine but with the person being absent. I want to film empty chairs etc. to try and create an atmosphere of someone who is missing, so the audience feel like they miss a character.
I have looked at the artist Rachel Whiteread who focuses on the negative spaces and creates moulds from them. Here is some of her work:

Ghost

Closet

House

Here is my storyboard for my final idea:




Thursday, 20 October 2011

Say Something Political - working out the structure

For my advert I would like to create a range of artistic shots and close ups. I would like to hopefully create a time lapse of people walking down the street which I think would look really interesting with a background music track. I would like to show people fading into the distance and silhouettes that blur to clearly show how people just disappear and that its so hard to find them. I would like to show close ups of hands touching empty spaces such as beds and chairs which represents the missing person, as well as hands covering the eyes and mouth to show someone upset. I am still unsure whether to make my ad completely factual, with videos from the missing people charity and narration or make it an artistic piece of work with just lines of text on each shot to get people thinking about the issue.  At the end of my ad I would like to show several close ups of peoples faces saying "help me find...my brother, my son etc." but only show the nose and mouth, keeping the identities hidden because if I'm using my friends seeing the whole of their faces could make it hard to take seriously. After this shot I want to show a reunion as a close up of a hug which I think would show how important it all is.

These are my storyboards































Say Something Political - videos to use?

Missing People Charity videos I could use in my ad








(1:05 - 1:27)

Wednesday, 19 October 2011

Say Something Political ideas

Here are some rough sketches of some of my ideas. I'm thinking of creating an artistic but factual advert with lots of quick cutting of my shots, news stories and factual information.


Bottom sketch is inspired by the recent Cancer Research ad (0.30)

Say Something Political - inspiration

Missing People Charity
https://www.missingpeople.org.uk/u182co18/appeals
From this website I could use the images of the people who are currently missing in my film and advertise their charity.

Here are some videos I found of youtube which are my inspiration for the project.

Missing People Organisation Video (2010)
I could include this charity in my advert.



BBC Appeal
I could use clips from the news in my film



Time Lapse video
I would like to create a time lapse of people walking around the city. Here is an example of a time lapse.

Say Something Political - mind map

I have made a mind map of ideas for this project. My favourite idea is about "Missing People" as this is an important issue to my family because my uncle is missing. I would like to show some of the organisations that can help as well as creating an artistic film to show the issue.



Ideas for missing people advert
  • Look at organisations that can help
  • Talk about own personal issue ???
  • Photographs of faces/people who are currently missing
  • Create a story to illustrate the issue
  • Typography - Bold "MISSING"
  • Montage of images, text and photographs
  • Shots of crowds - Time Lapse
  • People fading into the distance, disappearing
  • Person holds blank poster over face and when removed face appears on the "MISSING" poster
  • Shadows/silhouettes of people
  • People sitting next to empty chairs/spaces

Company Analysis - Context 2

I have created a mind map of film production companies around nottingham and norwich. I have researched companies around the area I am for uni and where I am at home. I will use this for my "Company Analysis" report for context 2 and will try and contact some of these companies to see if I can get some work.

Monday, 17 October 2011

MALac

THE ORIGINAL SCRIPT

Fade in from black: white text on black background:

Courage is the belief that there is
something more important than personal safety

Fade to black

Int.Day.Room

HE is sweating. Hard.
SHE stands impassive. Unconcerned.

HE rubs his wrist and we see HE is chained to the chair.

SHE
(Bright. Breezy)
Are you sure you wouldn’t like a drink?
(smiles)
Never too late to change your mind.

HE
(Afraid)
I swear, I swear. Please. Stop. Please?

SHE
(placing a briefcase in front of the chair)
Shush. Be quite quiet. It will no longer be necessary to
lie.

HE
I swear…

HER
Shush, shush.
(popping open the case)
I have here a malac. God it’s beautiful.
Could you hold him please?

MAN steps out of the shadows and forces HE’s hand
horizontal.

HE
Don’t. Don’t. I swear.

SHE
(pleased)
MALacs. Now no more shall we part on this path of truth we
find ourselves on.

Playing with the MALac in the case, its metallic sheen
plays on SHE’s face.

SHE
Pain, enlightening truth. This is what MALac brings.
Shall we continue?

SHE removes the MALac and shutting the case she steps
forward.

HE screams.

THE END

OUR ADAPTION OF THE SCRIPT

Fade in from black: white text on black background:
Courage is the belief that there is
something more important than personal safety
Fade to black
Int.Day.Room
HE is sweating. Hard.
SHE stands impassive. Unconcerned.
HE rubs his wrist and we see HE is chained to the bed.
SHE
(Bright. Breezy)
Are you sure you wouldn’t like a drink?
(smiles)
Never too late to change your mind.
HE
(Afraid)
I swear, I swear. Please. Stop. Please?
SHE
(looking over to the knife, hammer, elastic band and nails)
Shush. Be quite quiet. It will no longer be necessary to
lie.
HE
I swear I’ve done nothing… why are you doing this to me?
HER
Shush, shush.
(walks over to the tools)
Your going to want to tell the truth.
Where is she?
Man: what are you talking about, I’ve done nothing?
She walks over to him with a blade and elastic band
Don’t. Don’t. I swear.
You’re going to want to stay still for this kind of procedure!
NOW TALK!
He: FUCK YOU i don’t know anything.... please just let me go.
(pleased)
MALacs. Now no more shall we part on this path of truth we find ourselves on.
Her: Playing with the knife, walks slowly towards him
HE: Wait wait, please you don’t have to do this
SHE
TELLL ME!!
HE:  I don’t know, im telling you the fucking truth
SHE moves closer towards him
Fade out
HE screams.
THE END

We changed the script so instead of the malac being an object of some sort it's a girl who has gone missing. The guy has been kidnapped because she believes she has her hidden. We thought this could be a lot more dramatic and carry more suspense.
I was in charge of the lighting but we all had a go trying each role such as using the camera and recording the sound.
Our story was a guy that goes to the pub, meets a girl, gets drugged and wakes up hangdcuffed to a bed whilst she is interrogating him about a missing girl. She threatens him with a knife throughout the scene.
We all decided to do an edit, I decided to show some quick cuts of the guy getting ready and drinking at the pub with some simple background beats. I used a scary atmospheric background sound for when he is chained to the bed which I think works well.

Thursday, 19 May 2011

Moving Image Rationale

When we looked at the script we saw it as being more about loss than simply turning into a dog, someone acting in that way because his dog has died. We didn't like the script so we thought we would make our own interpretation of it, we came up with the idea about a girl who is depressed and drinks heavily because she has suffered a loss of some kind. We thought we could perhaps keep the loss as a secret leaving the audience to guess or make it be about losing her boyfriend and show her holding a photograph of him at the end. We were going to create a stop frame scene showing the glasses pile up and her drinking like the heroin scene in 'Requiem for a Dream' (Directed by Darren Aronofsky). We were going to film this in a flat using a dim light to make it seem gloomy, perhaps using one light with either an orange or blue gel. With this idea I wanted to capture lots of interesting shadows covering the girl, the shadows being her depression. Shadows work well in abstracting and distorting, which would look effective over her face making her seem quite scary. For the outdoor scenes we would have filmed when its just getting dark. I would have liked to film long shots and high shots around trees to make her look isolated and overpowered. The shadows of the trees towering over her, making her look trapped in spider-webs. I also wanted to film a lot in hand held to create the look that she is out of control and drunk or the world look out of control to her.


We couldn't go forward with this idea in the end because the actor kept letting us down so we had a group discussion to talk about our options. We then came up with an idea which didn't require us getting an actor and wouldn't take to long to film as we didn't have long to get this done. We thought about filming from the dog's point of view who is neglected by his owner and takes on more of a human role; completely reversing the script. I filmed this all in hand held from a low angle to the height of a dog. I had to keep moving the camera from side to side to create the look of a dog moving which I think I achieved well. We didn't need a tripod or lights and didn't need any real acting so it saved us a lot of time. We only used the legs of a member of our group and the hand of the owner of the flat.
I found the dog drinking the water scenes the hardest to do as I had to splash the water with my finger whilst moving the camera up and down without getting the finger in the shot. This took a while to get right.

Although I got quite a sore back from bending down a lot to film I did enjoy this a lot and I am pleased with how I filmed it. I have seen point of view filming before such as 'Jaws' (Directed by Steven Spielberg) who filmed from the shark's point of view as it approaches it's victim. The way he has done that makes the audience feel uncomfortable as we don't want to be in that position. I am also very happy with the sounds and editing that Ajay and Amanda did. We filmed in a noisy atmosphere and had to completely remove all the sounds from the video and add new ones. I am pleased with the group edit but I did find a few problems which I corrected in my edit. Part of the voice over was cut off missing out a word so I had to find the original, import it into Adobe Soundbooth to remove the noise and increase the volume. I increased the volume of the voice over more in my edit so its easier to hear over the dog sound effects and I noticed the finger been seen in parts when the dog is drinking the water in the cafe so I cut them out. I changed the titles so the members of the group are at the beginning and all the other credits are at the end and added a much more upbeat music track at the end as I found the other one slightly depressing. I am very happy with the edit I have made and the effort we all put in as a group.

If I was given another chance to do this project I could take a completely different approach perhaps focusing on a man who loses everything, becomes homeless and starts to beg. I could create a film of someone going insane, a film about a prisoner or even someone completely transforming into a dog, such as growing hair and claws, like a werewolf.

Moving Image - Group Edit and my edit

Group Edit

I am really pleased with our film, I think the hand held camera works well as the dog's point of view. I noticed a few problems like part of the voice over is cut off leaving a word out and I noticed that when the dog is drinking in the cafe a hand can be seen splashing the water in parts. I find the music at the end is a bit sad which I don't like that much.

My Edit


I have changed the titles so the names of the people in our group are at the start and the people that helped are at the end. I sorted out the cut off voice over, I found the original file, put it into Adobe Soundbooth so I could remove some of the noise and increase the volume before putting into Premiere Pro. I increased the volume of the voice over so it's easier to hear over the sound effects. I cut out the parts showing the hand splashing the water so it looks more like the dog drinking, making the scene shorter. I decided to use a much more upbeat music track. I am really pleased with my edit.

Poem used for voice over

When it came to editing we thought the sound effects of the dog wasn't enough so we decided to find a poem for a voice over. We used the poem 'What The Dog Perhaps Hears' by Lisel Mueller which we liked as it's from the dog's point of view. I did the voice over for this, we breaked it up so there were pauses and we choose the right scenes for it to be used.



         WHAT THE DOG PERHAPS HEARS


If an inaudible whistle
blown between our lips
can send him home to us, 
then silence is perhaps
the sound of spiders breathing
and roots mining the earth; 
it may be asparagus heaving, 
headfirst, into the light
and the long brown sound
of cracked cups, when it happens. 
We would like to ask the dog
if there is a continuous whir
because the child in the house 
keeps growing, if the snake
really stretches full length
without a click and the sun
breaks through clouds without
a decibel of effort, 
whether in autumn, when the trees
dry up their wells, there isn't a shudder
too high for us to hear.

What is it like up there
above the shut-off level
of our simple ears?
For us there was no birth cry,
the newborn bird is suddenly here, 
the egg broken, the nest alive,
and we heard nothing when the world changed. 
             Lisel Mueller

Moving Image 2nd idea

We had to change our idea as the actor kept letting us down so we thought about filming as the point of view of a dog who is neglected by its owner and instead of showing someone acting like a dog we have gone for a dog taking more of a human role, such as getting its own food. I filmed this in handheld to get the shaky look of a dog moving and it makes quite an interesting film. The audience are more involved this way as they are seeing through the dog's eyes so they are connected to the character. We didn’t like the script we were given so we wanted to make our own interpretation of it.

Shot list for dog idea 2.
Hand held shots to be used throughout film.

1)    Hand held tracking forward, long – mid shot, of walking down hall way.
2)    Close up of surroundings.
3)    Vertical pan (side to side looking around).
4)    Close up nudging cupboard door open.
5)    Mid shot/close up food in the cupboard – empty?
6)    Close up food falls on the floor.
7)    Close up – taking plate to owner.
8)    Stop frame/mid shot of plates piling up.
9)    Mid shot of bathroom door.
10) Close up of door opening
11) Close up/tracking  - moving forward along street.
12) Close up, hand held pan looking up at surroundings.
13) Hand held mid shot, moving through tables.
14) Mid shot, arrives at table/water.
15) Close up, drinking water.
16) Mid shot looking for food.
17) Close up routing through food.
18) Mid shot bathroom door.
19) Close up leaving bathroom.
20) Close up holding lead.
21) Close up/tracking forward through the park.
22) Close up of drinking water indoors.
23) Mid shot/stop frame plates piling up.
24) Mid shot – owners arm.
25) Close up nudging owners arm.
26) Using card to opening and closing in front of lens – eyes closing.


Storyboard